OneSheet ATX — Austin Cinema Guide | Repertory, Arthouse & One-Off Screenings

What matters this week.

The films worth building your week around. Archival prints that screen once, restorations decades in the making, live scores, legendary directors in attendance, world premieres, films you can’t stream anywhere…

Hot Ticket Tue 7:30 · Sat 2:30 · AFS

Boyz n the Hood 1991

John Singleton was twenty-three, and a decade of Black American film came through the door he opened. Thirty-five years on, a 35mm print opens AFS’s Hood Trilogy, with Singleton’s biographer, Mark D. Cunningham, introducing Tuesday’s show; a Saturday matinee follows. Increase the peace.

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Mon–Thu · AFS & Alamo

La bola negra 2026

Lorca wrote four pages of La bola negra before he was killed in 1936, and Los Javis built a two-and-a-half-hour epic out of them. Javier Calvo and Javier Ambrossi follow three gay men through 1932, 1937 and 2017, with the singer Guitarricadelafuente in his first screen role, plus Penélope Cruz and Glenn Close. It’s a Netflix film, so the big-screen window is short: AFS and Violet Crown through Thursday, South Lamar and Galaxy through Wednesday. Pace yourself.

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Five days · AFS & Regal

The Devils 1971

Banned in several countries, heavily edited and rated X, it’s been nearly impossible to see since its release in 1971. If you are still capable of being shocked, this may do it for you. The 35mm run is over, and the restoration keeps getting held over: AFS has it every day Monday through Thursday, Regal Metropolitan three times Friday. Last rites postponed.

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Wed 6:00 · AFS

Soul Patrol 2026

The Vietnam War had one all-Black special operations unit, and on Veterans Day its men tell the story themselves. J.M. Harper’s documentary reunites the soldiers, who served at the height of the Civil Rights Movement, to tell it together for the first time. One show, in AFS’s Doc Nights series. Long overdue.

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Fri–Sun · AFS

Raise the Red Lantern 1991

Four wives compete for a master Zhang Yimou never lets you see clearly. Gong Li is the newest, and the lanterns lit outside a wife’s door each night tell the whole household who won. Thirty-five years old, in a new 4K restoration: Friday at 5:00 and 8:00, Saturday at 5:00, Sunday at 1:00. Lights out.

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Sat 1:45 · Sun 4:30 · AFS

Fatherland 2026

Paweł Pawlikowski’s first film since Cold War, and it runs eighty-two minutes. Sandra Hüller is Erika Mann, actress and rally driver, on the road with her father Thomas in a black Buick, across a ruined Germany from American Frankfurt to Soviet Weimar. Black and white, naturally. Two Germanys, one tank of gas.

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Sat 8:00 · Brushy Street

Tenebre 1982

Live score

Claudio Simonetti is playing Tenebre in front of the screen, forty-four years after he co-wrote it. Dario Argento’s whitest, brightest giallo, with the crane shot over the rooftop, and Simonetti’s Goblin doing the score live. One night, Resound presenting; doors at 7:00, $75, all ages. Two days later We Luv has Deep Red. Leave the razor at home.

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Mon 7:30He Got Game 1998Hyperreal · Spike Lee made a basketball movie with Ray Allen in the lead and Aaron Copland on the soundtrack. Denzel Washington is the father let out of prison for a week to talk his son into the governor’s alma mater; Black Is Not a Genre presents. Nothing but net
Thu 7:30The Big Heat 1953We Luv Video · Fritz Lang’s noir, picked by one of the store’s own clerks for Noirvember: Glenn Ford is the cop who takes on the syndicate, and Lee Marvin throws the coffee at Gloria Grahame. $5, doors at 7:00. Mind the pot
Thu 7:30Wild Foxes 2025AFS · New French Cinema Week opens with Valéry Carnoy’s first feature, a young boxer at a French boarding school for elite athletes and the accident that upends him. Carnoy is in attendance, with a reception in the lobby beforehand. Seconds out

HorizonPlaying beyond this week, expect a full house.

Hot TicketWed Nov 25, 6:30 · AFS

The Last Waltz 1978

The Band played its farewell at Winterland on Thanksgiving 1976, and AFS is showing it fifty years to the night. Martin Scorsese filmed it on 35mm with seven cameras, Dylan, Joni Mitchell, Neil Young, Muddy Waters and Van Morrison among the friends who came up. Wednesday, the night before Thanksgiving, and a Friday matinee after. Don’t do it.

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Mon Nov 16, 7:00 · We Luv Video

Deep Red 1975

Format not listed

The giallo the others get measured against, and the first time Goblin scored a film. Dario Argento puts David Hemmings, nine years after Blow-Up, back in the witness’s chair as a jazz pianist who sees a murder through a window, with Daria Nicolodi as the reporter who helps. Girl, Whatever presents; doors at 6:30, $5. Mind the dolls.

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Mon Nov 16, 7:30 · Hyperreal

sex, lies, and videotape 1989

Format not listed

The debut that turned American indie film into a business, and it’s about a man with a video camera. Steven Soderbergh shot it in Baton Rouge: James Spader tapes women talking about sex, Andie MacDowell is married to the lawyer sleeping with her sister. Miramax released it, and the ’90s followed. Be kind, rewind.

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Thu Nov 19, 7:00 · AFS

Urgh! A Music War 1981

Thirty-four bands in one concert film, and it has rarely played a big screen anywhere near complete. Derek Burbidge’s 1981 film has The Police, Devo, X, the Cramps, Dead Kennedys and Klaus Nomi. John Doe of X joins the Professors of Urgh!, who have made fifty-five podcast episodes about it. $20, $17 for members. Bring earplugs.

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Fri Nov 20, 7:30 · The State

Knife 2026

Salman Rushdie’s wife filmed the weeks after the attack, and she’s coming to take questions. Alex Gibney’s documentary is built on Rachel Eliza Griffiths’s footage and Rushdie’s memoir Knife, co-presented by Torch Literary Arts, with a pop-up bookshop in the lobby, and the Texas Book Festival. One night. Bring a book.

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Nov 21 & 22 · AFS

Satan’s Workshop II

Joe Bob Briggs is auditioning forgotten exploitation films for his 2027 show, and the room gets a say. Two different secret double features, Saturday night and Sunday afternoon, with Joe Bob and Darcy the Mail Girl in person. $35, $30 for members. Drive-in rules apply.

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Mon Nov 23, 7:00 · AFS

if.... 1968

Malcolm McDowell’s first film, and the reason Kubrick cast him in A Clockwork Orange. Lindsay Anderson’s revolt at an English boarding school, on 35mm, with the cartoonist Nathan Gelgud in conversation for AFS’s Paper Cuts series; a second show Wednesday the 25th. Class dismissed.

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Pick Flick

Who has the best popcorn in town?

It’s always film festival
season in Austin.

New French Cinema Week

Six new Francophone films, programmed with Angers, Austin’s French sister city. Six films, six shows. Miss one and that’s that.

Thursday Wild Foxes at 7:30, with Valéry Carnoy in attendance and a reception in the lobby before
Friday La Gradiva at 6:30, Marine Atlan’s debut, with French high schoolers loose in Pompeii
Saturday A Man of His Time at 4:00, Shana at 7:30
Sunday That Summer in Paris at 4:00, Flesh & Fuel at 7:00

Buy PassesAll six films and the reception, 20% off single tickets

Upcoming

Nov 12–19

Austin Jewish Film Festival

24th edition, mostly at the Dell JCC: a party on opening night, a closing night out on the terrace, and a virtual section through Nov 29.

Jan 28–30

Austin Revolution Film Festival

Fifteenth year for the true independents: films and screenplays from outside the studio system, three days of screenings with panels and parties around them.

Mar 5–7

OUTsider

Austin’s queer transmedia festival: film alongside dance, theater, performance art, music and writing, plus its Conference on the Couch.

Mar 15–21

SXSW Film & TV

Premieres and industry, all over downtown.

Other festivals

Indie Meme (South Asian independent), Cinema Touching Disability (September), Ethereal Horror Fest (indie genre, October), ATX TV Festival (television, May), Austin Under the Stars (independent films and screenplays, September), Austin Horror Film Festival (indie horror, October), AVAFEST Veteran Film Festival (veterans and military families, October), Austin Asian American Film Festival (Asian and Asian American film, June), aGLIFF: Prism (LGBTQ+, since 1987, September), Cine Las Américas (Latine and Indigenous film, May), AFS Doc Days (new documentaries, spring), Black Auteur Film Festival (Black filmmakers’ shorts, June), PAFF Austin (Pan African film, summer), Austin Polish Film Festival (Polish film, November).

Wide Releases, playing
just about everywhere.

Look, sometimes you just want the big loud one. No judgment — we those too… it just ain’t our raison d’être. Here’s everything playing in the megaplexes, with a few gems singled out.

These are the ones with a pulse — films from visionary directors with artistic merit, challenging viewpoints and impeccable craft.

This week’s strongest signal

Wild Horse Nine

A Martin McDonagh comedy about the CIA in Chile, months before the 1973 coup, with John Malkovich as the spy who can’t stop bragging about it. Sam Rockwell is his partner and Steve Buscemi the bureau chief who ships them both off to Easter Island. Raves since Venice; TheWrap found it dull, and still called Malkovich glorious. Big mouth.

Godzilla Minus Zero

The first Godzilla film ever rated R, and the first Japanese production shot for IMAX. Takashi Yamazaki picks the Shikishima family back up in 1949, two years after Minus One. Most critics call it bigger and better; the Daily Beast says you wait, and wait, for the monster. IMAX at Regal Gateway and AMC Barton Creek. Go big.

Once Upon a Time in Harlem

William Greaves filmed a reunion of the surviving Harlem Renaissance in 1972, and his son finished it half a century later. Eubie Blake, Arna Bontemps, Aaron Douglas and James Van Der Zee, among others, at Duke Ellington’s townhouse, on 16mm; David Greaves, then twenty-six, was on the camera crew. Not one bad review yet. South Lamar through Wednesday, then AFS from Friday. RSVP.

Littermates

Two survivors of an unexplained war relearn how to talk in an English cottage, and earn “nifties” for good behavior. Scott Tinkham and Michael Woloson’s first feature, with Joey Bader, Kaylee McGregor and Oliver Woolf as the caretaker; the nifties buy karaoke and hot-tub time. A Drafthouse exclusive, one week only. Don’t open the gate.

The Only Living Pickpocket in New York

John Turturro works the subway as a pickpocket in a city that has gone digital around him. Noah Segan, a Rian Johnson regular in front of the camera, wrote and directed it with Johnson producing, Steve Buscemi as the fence and Giancarlo Esposito as the cop. Second week: South Lamar every day, AMC Barton Creek too. Hold on to your wallet.

Wide Releases

Weekend New releases

Wild Horse Nine, Godzilla Minus Zero, The Cat in the Hat, Drummer Boy, Littermates, Once Upon a Time in Harlem, La venganza del Charro Negro.

Staying Alive Last week

The Only Living Pickpocket in New York, Everest: The Other Side, Fjord, The Mosquito Bowl.

The Holdovers 3-4 weeks in

Clayface, Wicker, Wildwood, Street Fighter, You Can See Everything, Sense and Sensibility.

The Long Goodbye 5+ weeks in

Resident Evil.

Things to Come

Nov 11Ghost Soldier. Nov 13Ebenezer, How to Rob a Bank. Nov 20The Hunger Games: Sunrise on the Reaping, I Play Rocky. Nov 25Hexed, Focker-in-Law. Dec 4Violent Night 2, Behemoth!

Showtimes at the chains

What you should know about

Austin has plenty of options for IMAX screens, but not all are created equal. For immersive cinematic experiences like The Odyssey, which was shot entirely in the IMAX format, there’s only one primo experience, and the rest of them aren’t even close.

The real oneBiggest movie screen in Texas

Bullock Texas State History Museum

Dual laser · 1.43:1 · six storeys · 12-channel

One of a handful of dual-laser installations in the world, and the only screen in Austin that can project 1.43:1 — the tall, almost square frame an IMAX camera actually records. Purpose-built room, soundproofed, speakers placed for the space rather than fitted into it. Bullock plays a mix of major Hollywood blockbusters, educational nature documentaries, and special cinematic events.

On the most IMAX screens this week

Godzilla Minus Zero 2026

Bullock Museum Through Nov 15
Regal Gateway Mon–Wed
AMC Barton Creek Mon–Thu
Hooky Hutto Mon–Thu

Dune: Part One & Part Two 2021·2024

Regal Gateway Fri–Sun
AMC Barton Creek Fri–Sun
Hooky Hutto Fri–Sun

Regal Gateway 4DX & IMAX

9700 Stonelake Blvd · 16 screens

A certified IMAX auditorium inside a multiplex, almost certainly 1.90:1 like every commercial retrofit — about a quarter of the frame height gone on anything shot for IMAX. Also the only 4DX in town.

AMC Barton Creek Square 14 & IMAX

Mall multiplex · south-west

Same story — certified, retrofitted, 1.90:1. Bigger and louder than the screen next door, which is the whole pitch.

EVO Entertainment Kyle

3200 Kyle Crossing · IMAX with Laser

Laser projection, which is the good version of a commercial IMAX — brighter, deeper contrast, wider color than the xenon rigs it replaced. Still 1.90:1, so still cropped, but the best picture of the three commercial screens. Attached to bowling lanes, an arcade and a bar, which is either the appeal or the problem depending on your evening.

Hooky Hutto & IMAX

180 Alliance Blvd · eight screens · IMAX with Laser

The first IMAX in Williamson County, opened 2025. Same laser spec as Kyle, same 1.90:1 frame, twelve bowling lanes next door. Worth knowing if you are north of the river — a shorter run than crossing town to Barton Creek.

Everything screening
across the next seven days.

Become a member

Membership provides essential philanthropic support for the AFS Cinema and its educational and artistic programs. Yearly memberships start at $65 and carry a lot of perks, including $4 off every ticket.

AFS Cinema

6259 Middle Fiskville Rd

The deepest film slate in town and an absolute shrine to cinema. Richard Linklater, Austin’s patron saint of indie film, founded the Austin Film Society in 1985 to screen the independent, experimental and foreign films Austin couldn’t otherwise see; three decades later AFS opened a physical location with two screens. It’s the city’s only nonprofit arthouse: one screen runs new international and independent releases, the other is given over entirely to repertory — restorations, director retrospectives and series. A third screen is coming soon!

Monthly Season Pass

Alamo offers a subscription at two levels, starting at $19.99 a month, which gets you one ticket a day plus other perks. An incredible deal if you go anything like regularly.

Alamo Drafthouse

South Lamar · Village

Homegrown icon: Austin’s gift to moviegoing. Tim and Karrie League opened the first Alamo in a Colorado Street parking garage in 1997 and rewrote what a cinema could be — food and drink at your seat, a no-talking policy that is actually enforced, and programming run by true cinephiles. The model spread nationwide, but it started here.

Five Austin locations now, and South Lamar remains the programming house.

Home to Terror Tuesday, Weird Wednesday, Master Pancake, 70mm, Video Vortex and Fantastic Fest.

Note: we’re only listing special events and repertory screenings, but Alamo carries a full slate of wide releases too. Full schedule here.

Regular series at Alamo

Austin’s longest-running film riff, live and scripted since 1997.

Not at the Alamo this week.

Horror every Tuesday at 9:30, South Lamar, since the Ritz days. Trash, treasures and 35mm prints nobody else will run.

This week’s title isn’t posted under the series name. South Lamar’s Tuesday 9:30 is Unfriended: Dark Web; see Tue 10 above.

The other half of the pair — oddities, exploitation and things that should not exist, Wednesdays at 9:30 at South Lamar.

This week: The Devil’s Sword, South Lamar, Wednesday at 9:30; see Wed 11 above.

Paramount Theatre

State Theatre, 719 Congress

The oldest theater in Austin, and it has never stopped working. It opened on Congress Avenue in 1915 as the Majestic. Vaudeville first: the Marx Brothers, Sarah Bernhardt, Sousa, and Houdini. Slated for demolition in the Seventies, until a group of Austinites bought it instead. Its Summer Classic Film Series has run every year since 1975 and reached its 52nd season this August. Closed through spring for its first major restoration in fifty years; programming has moved to the State and the Bullock.

Bullock Museum IMAX

1800 N. Congress

The most immersive cinema experience in Texas. Six storeys of screen inside the state history museum, running dual 4K laser projectors — one of a handful of installations worldwide that can fill the full 1.43:1 frame, the tall, almost square shape an IMAX camera actually records. The room was purpose-built rather than converted: soundproofed, steeply raked, speakers placed for the space instead of fitted into it. The slate mixes Hollywood on the giant screen with nature documentaries and the Paramount’s classic series, so the same week can hold a Nolan release and a film about monarch butterflies.

Join the club

Ever wanted to be part of the club? The lowest tier is $5 a month — 20% off every event, access to the Discord, and invitations to free member screenings.

Hyperreal Film Club

301 Chicon

The most alive room in Austin cinema, and it barely looks like a cinema at all. A member-run nonprofit clubhouse on Chicon Street that programs what nobody else will and usually puts the artists in the room with the audience. Screenings share the calendar with live music, readings, zine launches and performance; guest programmers get handed the projector; tickets are usually a sliding scale, often around $8 to $15. Expect video art, regional horror, films that never got a distributor and the occasional canonical classic shown for the right reasons. Doors are usually half an hour before, and the crowd is the point as much as the film.

Become a member

Rental memberships start at $10 a month ($5 for students, seniors and people with disabilities) for one video out at a time — a better deal than most streaming platforms, with a far better selection, and you get to talk to actual humans about movies. Just like the old days.

We Luv Video

100 E. North Loop

Don’t call it a comeback…they been here for years. They rescued the collection of I Luv Video and reconstituted it in the old Vulcan Video location on North Loop. Essentially a volunteer-run, nonprofit physical-media archive, lending library and film-club clubhouse disguised as an old-fashioned neighborhood video store. VHS, laserdisc, DVD, thousands of titles that exist on no streamers anywhere.

Behind the shelves, a microcinema barely bigger than a living room, where members and guest programmers put on one-off screenings, and which you can rent for about what a round of drinks costs.

Violet Crown

434 W 2nd St

The classiest way to see a film downtown. Austin’s arthouse since 2011, tucked into the Second Street District. Four small rooms — the largest seats about fifty — which makes it the most intimate cinema in the city and the one place where the front row is genuinely the good seat. Programming runs to independent, documentary and international, with the occasional 35mm booking alongside the wide releases worth seeing, and it holds smaller films for weeks after the multiplexes drop them. Reserved seating, a proper lobby bar you can carry a drink from, and four hours of validated parking in the garage next door — which downtown is close to a public service.

Rewards program

Free to join and the perks are out of this world. A point per dollar on tickets and concessions, redeemable for both; a free ticket on your birthday; members-only screenings; and pre-sale access before everyone else.

Galaxy Theatres Austin

6700 Middle Fiskville Rd

A multiplex that keeps turning up when it matters. Eleven screens at Highland, on the site of the old mall, with recliners and reserved seating and the wide-release slate you would expect. What earns it a place here is who it lets in: aGLIFF takes the building over for Big Queer Weekend, and it books family matinees, anniversary runs and titles the arthouses do not have room for. Not a repertory house, but the one commercial cinema in town that behaves like it wants to be part of the film community rather than adjacent to it.

Rewards program

Free to join. Regal Rewards earns 100 points per dollar on tickets and concessions, redeemable for tickets, snacks and merch. Rewards+ adds a 2D ticket every month that rolls over if you skip, 20% off snacks and no online fees, from $10.99 a month.

Regal Cinemas

Gateway · Metropolitan · Westgate

A first-run chain with a repertory habit. Most of the week is the wide-release slate, but read the margins: anniversary re-releases, Studio Ghibli Fest, one-night classics, the Monday Mystery Movie, and new Tamil, Telugu and Hindi releases at Gateway.

Three Austin locations. Gateway has the IMAX screen and 4DX; Metropolitan has RPX and 4DX; Westgate is almost all first-run.

Note: we’re only listing special events and repertory screenings, but Regal carries a full slate of wide releases too. Full schedule here.

Outdoor & One-Off

The best deal in
Austin cinema – free!

Community Cinema

A 400-seat outdoor amphitheater The amphitheater at Community First! Village donated by Alamo Drafthouse, sitting in the middle of Community First! Village — the 51-acre neighborhood Mobile Loaves & Fishes built for people coming off the street. 440 formerly homeless neighbors live there now, in tiny homes with a working farm, an art house and a market.

Admission is free and always has been. The concession stand is the point: it is staffed by Village residents earning a dignified income, so the popcorn you buy is the fundraising. Cards only, no cash. Bring a chair and a blanket, and take the guided tour they run before most screenings.

Fri Nov 13 · 6:30The Super Mario Galaxy MovieFree

7:00 pm · 9301 Hog Eye Rd · mlf.org/events

Branch screenings run all year. The pick of it is Weeknight Cinema at the Gillum Branch — a proper repertory strand with ongoing themes. Most are free and walk-in; a few ask you to register.

Thu Nov 12 · 6:00The Princess BrideHowson
Wed Nov 18 · 5:00Dune: Part TwoGillum
Tue Nov 24 · 6:00The Sunshine BoysMilwood · register

Full calendar at library.austintexas.gov/events/movies

On the patio · 21+

Hotel Vegas Movie Club

Free screenings on the patio of the East Sixth bar, with trivia, movie bingo and quote-alongs around the film. October is Which Witch Wednesdays.

No patio screenings on the Hotel Vegas calendar right now.

Outdoor screens around town

Rocket Cinema

A mobile outdoor cinema that has been putting up its big screen around Central Texas since 2020, at parks, pools, breweries and museums. Many of its shows are ticketed; the free ones are listed here.

Nothing free on Rocket Cinema’s calendar right now; its next shows are ticketed.

Spring through summer · off-season now

Movies in the Park

Austin Parks Foundation with Rocket Cinema, eleven years running. Free screenings that rotate through neighborhood parks, plus poolside nights at Deep Eddy in summer. First hundred bags of popcorn are free. Dogs, picnics and lawn chairs welcome; no glass or alcohol. Parking is tight at most parks — they suggest biking. Rain dates get rescheduled, so check before you go.

One fall show left: Toy Story, Sat Nov 21.

Stream thousands of films at home, free with an Austin Public Library card. A deep, library-curated collection of arthouse, independent, international, classic and documentary cinema — especially strong on films that fall outside the mainstream streaming ecosystem.

Not free, but close: Alamo’s Kids Camp runs $1–5 through the summer, and Regal’s Summer Movie Express is $1 on Tuesday and Wednesday mornings.

Austin’s film people,
and where to find them.

Third spaces

East Austin · microcinema

Hyperreal Film Club

The epitome of a DIY film community, with a focus on local filmmakers. Volunteer-run since 2016, and occupying its own clubhouse since 2024.

Volunteer

Connect

The Discord comes with every membership, from $5 a month.

North Loop · video store

We Luv Video

A nonprofit video store and microcinema, run entirely by volunteers. At its present location
since 2023.

Volunteer

Fill out the form to work the counter as a shift lead, or help run screenings and events.

Connect

Join the Discord to hear about volunteer shifts and meet fellow movie nerds.

Highland · arthouse

Austin Film Society

Every membership level brings quarterly mixers and a free Member Monday screening. From $65 a year.

Shaken, not stirred

The café and bar in the lobby sit under vintage cinema posters from Richard Linklater’s own collection, along with movie-soundtrack album covers.

Village & South Lamar

Alamo Drafthouse

Posters from 1974 line the Village’s walls, and Vulcan Video’s old collection lives in the lobby as Video Vortex.

Careful, man, there’s a beverage here!

The Village bar has a patio. At South Lamar, the Highball hosts two-step lessons.

I have to return some
video tapes.

Miss that feeling of not knowing what you want to watch until the box cover grabs your eye? These are the spots where you can relive your 90s glory. The clerk will be happy to chat your ear off about Tarkovsky’s more accessible films, which Wong Kar-Wai movie is best to mend a broken heart, or that Halloween III: Season of the Witch is actually a pretty good entry in the series. This is how we did it in the late 1900s and we liked it.

North Loop · member-run

We Luv Video

A nonprofit, volunteer-run video store with more than 35,000 tapes and discs — beloved favorites, cult oddities and true rarities — plus a microcinema. Some of the videos are older than the employees — a testament to the staying power of physical media. Browse the shelves online before you go, and if you gave away your VCR, they’ll rent you one.

Where 100 E. North Loop Blvd.
Open Mon–Thu 6–10 pm, Fri 4 pm–midnight, Sat noon–midnight, Sun noon–10 pm

Alamo Village · free rentals

Video Vortex

When Vulcan Video closed in 2020 after thirty-five years, the Alamo bought the collection rather than watch it scatter. Since the Village’s 2024 refresh it has lived in that lobby as Video Vortex, powered by Vulcan Video: every title free to rent, and they’ll lend you a Blu-ray player too.

Where Alamo Drafthouse Village, 2700 W. Anderson Ln.

Rentals are free! You’ll just need to register with the staff and keep a credit card on file. Late fees are $2 a day, with a limit of three videos rented at one time.

Near the airport · buy and trade

Austin Video Store

Opened this summer in a strip center off Bastrop Highway: VHS, DVD, Blu-ray, LaserDisc, anime and horror tapes, and the CRTs to play them on. No rentals and no membership cards — everything is sold or traded, and they buy collections. They are even planning to turn the store into a microcinema with a ceiling-mounted projector and drop-down screen.

Where 720 Bastrop Hwy., #202
Open Wed and Fri 5–9 pm, Sun from noon

Inside Waterloo Records on North Lamar: record bins and the in-store stage

North Lamar · new and used discs

Waterloo Records & Video

The “& Video” has been in the name since 1982. Austin’s record store keeps new and used DVDs and Blu-rays alongside the vinyl, and the movie racks made the move in August 2025, five blocks up Lamar to a store half again as big. Bring your own discs to the counter any time they’re open: they pay cash, or a bonus if you take store credit.

Where 1105 N. Lamar Blvd.
Open 10 am–9 pm daily

Physical media is dead, long live physical media!

Streaming is a lease. A disc is yours. Films vanish from the services every month; the labels below keep putting them back — scanned properly, packaged with care, and made for people who plan to keep them. Criterion sets the pace, but it isn’t the only one doing the work.

The Criterion Collection

Since 1984 Criterion has treated home video as publishing: restorations checked by the people who made the films, commentaries and essays worth keeping, and a numbered spine that collectors chase for decades. It’s the label the others measure themselves against.

January releases

December releases

Dec 1 Nashville (Robert Altman); Divorce Italian Style (Pietro Germi). Dec 8 The English Patient (Anthony Minghella); Grizzly Man (Werner Herzog). Dec 15 The Shop Around the Corner (Ernst Lubitsch); Eclipse Series 50: Sara Gómez’s Revolutionary Cuba.

November releases

Nov 3 Harold and Maude (Hal Ashby); KPop Demon Hunters (Maggie Kang and Chris Appelhans). Nov 10 Blue Heron (Sophy Romvari); Marie Antoinette (Sofia Coppola); Shoot the Piano Player (François Truffaut). Nov 17 Shadows of Forgotten Ancestors (Sergei Parajanov); Wild at Heart (David Lynch). Nov 24 The Right Stuff (Philip Kaufman).

American Genre Film Archive

Austin’s own, on Avenue B: the world’s largest archive dedicated to genre movies, and the only known nonprofit genre film distributor. More than six thousand prints and a 4K scanner, put to work rescuing the films nobody else was going to save. Genre movies have never had a better friend.

Latest releases

George Ratliff, 2001Blu-ray · out now
Daniel Erickson, 1991Blu-ray · out now
Byron Mabe, 1967Blu-ray · out now
Various, 1956–62Blu-ray · out now
On the big screen
AGFA books films into theaters, too. Current DCPs: Wallace & Gromit: The Classic Shorts; A Bay of Blood, from Severin Films; Sleepaway Camp; and Hello Mary Lou: Prom Night II, from AGFA’s own 35mm preservation.

September slate

Vinegar Syndrome

Still paying for their own 4K scans of films nobody else is fighting for. This month: Ice Cream Man and Bloody Psycho in 4K, plus another Forgotten Gialli volume.

Arrow Blu-ray: Shawscope Presents: Street Gangs of Hong Kong

November slate

Arrow Video

Ray Harryhausen’s last film comes home in 4K. Clash of the Titans and Robert Aldrich’s The Dirty Dozen arrive Nov 17 as limited editions, and a week later Shawscope Presents: Street Gangs of Hong Kong boxes up seven Shaw Brothers films. Twelve men, one Kraken.

Coming this fall

Kino Lorber

Kino saved the biggest for last. Rollercoaster in 4K Oct 13, The Pirates of Penzance and Bluebeard Oct 20, Four Rooms Nov 10… then on Nov 24, Sergio Leone: Masterworks, the Dollars trilogy plus Once Upon a Time in the West, in 4K. Clear a shelf.

New and on preorder

Severin

Severin’s fall is stacked. New 4K sets of The Devil’s Rain, Asylum and Jack the Ripper, plus four discs of Bava’s A Bay of Blood. On preorder: The Ugly Stepsister and Gwendoline in 4K, and a four-disc Joko Anwar collection, The Sacred & The Cursed. Your wallet has been warned.

October slate

Shout! Factory

Scream Factory is ready for Halloween. Richard Attenborough’s Magic, with Anthony Hopkins and a ventriloquist’s dummy, on 4K steelbook Oct 6; Eli Roth’s Hostel films turn twenty Oct 13; and Radio Silence’s Abigail gets a collector’s edition Oct 20, alongside the Chinese Ghost Story trilogy in 4K. Don’t trust the dummy.

Shop exclusives

A24

A24 sells its own collector’s editions, straight from its shop. New: Olivia Wilde’s The Invite on Blu-ray and 4K, after Backrooms in July, and issue 34 of the A24 zine, Disc Revolution, marks twenty years of Blu-ray. Preaching to the choir, here.

About

This site is created and maintained as a passion project by cinephile and graphic designer Chris Ayers at Chris Ayers Creative. Chris’ favorite night of the week is Thursday, because that’s when the new movies come out. He used to love changing the marquee by hand and putting up the new posters at the cinema where he worked. He has worked as a projectionist at three theaters.

Check out his alternative movie posters here. You can see pics of his cats Remi and Cleo here.

Contact him at chris at chrisayerscreative dot com.

in the SPOTLIGHT in the SPOTLIGHT What matters this week.

Boyz n the Hood 1991

La bola negra 2026

The Devils 1971

Soul Patrol 2026

Raise the Red Lantern 1991

Fatherland 2026

Tenebre 1982

on theHorizonPlaying beyond this week, expect a full house.

The Last Waltz 1978

Deep Red 1975

sex, lies, and videotape 1989

Urgh! A Music War 1981

Knife 2026

Satan’s Workshop II

if.... 1968

Pick Flick

CIRCUITon theCIRCUIT It’s always film festivalseason in Austin.

The Big Ones

SXSW Film & TV

Fantastic Fest

Austin Film Festival

Current

New French Cinema Week

Upcoming

Austin Jewish Film Festival

Austin Revolution Film Festival

OUTsider

SXSW Film & TV

Other festivals

in the MAINSTREAM MAINSTREAM Wide Releases, playingjust about everywhere.

Wild Horse Nine

Godzilla Minus Zero

Once Upon a Time in Harlem

Littermates

The Only Living Pickpocket in New York

Wide Releases

Weekend New releases

Staying Alive Last week

The Holdovers 3-4 weeks in

The Long Goodbye 5+ weeks in

Showtimes at the chains

What you should know about

Bullock Texas State History Museum

Godzilla Minus Zero 2026

Regal Gateway 4DX & IMAX

AMC Barton Creek Square 14 & IMAX

EVO Entertainment Kyle

Hooky Hutto & IMAX

inTHEATRESTHEATRESEverything screeningacross the next seven days.

AFS Cinema

Mon, Nov 9

Tue, Nov 10

Wed, Nov 11

Thu, Nov 12

Fri, Nov 13

Sat, Nov 14

Sun, Nov 15

Alamo Drafthouse

Mon, Nov 9

South Lamar

Village

Mueller

Lakeline

Slaughter Lane

Tue, Nov 10

South Lamar

Village

Mueller

Lakeline

Slaughter Lane

Wed, Nov 11

South Lamar

Village

Mueller

Lakeline

Slaughter Lane

Thu, Nov 12

South Lamar

Village

What matters this week.

HorizonPlaying beyond this week, expect a full house.

It’s always film festival
season in Austin.

Wide Releases, playing
just about everywhere.

Everything screening
across the next seven days.